A former actor who has appeared on television and Broadway, Aaron Banks managed to finagle his Oriental World of Self-Defense onto ABC’s Wide World of Sports five times in 1974.
	From his meager martial arts beginnings in 1960, Aaron Banks has organized 352 karate tournaments, 250 martial arts shows and more than 1,000 demonstrations.
	Chuck Norris made a guest appearance at the 32nd Annual Oriental World of Self-Defense, held at Madison Square Garden on September 13, 2000.
	Chuck Norris is one of the legends who built a reputation at Aaron Banks’ martial arts tournaments. He is shown here after winning the middleweight division of the Professional Karate World
	In addition to being America’s premier martial arts promoter, Aaron Banks is an accomplished practitioner of goju-ryu and shotokan karate.
	Aaron Banks appeared on the cover of the December 1971 Black Belt. The controversial story examined accusations that he was compromising the integrity of the martial arts for financial gain.

Inside all of us is one truly great accomplishment waiting to happen. For Aaron Banks, that seed has become a reality 352 times—in the form of a martial arts tournament. He has made it his mission to show America what the real martial arts are all about, and he has done so admirably. Much of the history martial artists around the world discuss came about because of the Banks’ crusade to bring the Asian arts to the general public via exhibitions and tournaments held at Madison Square Garden and other well-known venues. There is no doubt that 21st century students have such a variety of styles and competitions to choose from because of the labors of this karate pioneer. —F.B.

Aaron Banks has a reputation for accomplishing the unimaginable. For example, in 1964 he brought Chinese kung fu, Korean moo duk kwan, Japanese and Okinawan goju-ryu karate, judo and boxing under the same roof in his New York Karate Academy. High-ranked instructors from goju-ryu, Banks’ base style, phoned to express their dismay that he allowed all those systems to be taught at his school.

Banks’ answer was and still is unassailable: “If you go to the market for bread, you have a variety to choose from. The same should go for the martial arts.”

Annoyed that the arts were being taught mostly in back alleys and low-end health clubs, Banks became intent on having them viewed as an art form. He began holding exhibitions in cultural centers that hosted opera, ballet and other manifestations of classical art. Many an eyebrow was raised in response, but he persevered in his effort to educate Americans, many of whom received their only exposure to the martial arts via movie clips of Sean Connery and James Cagney executing the occasional judo move.

Banks took it upon himself to show the world what the martial arts were all about and, if he was lucky, he figured he might get some people hooked. It didn’t matter what system or style they chose—as evidenced by the multi-cultural nature of his New York dojo. What was important was that they got involved so they could enjoy the same benefits of improved physical and mental health he derived from his practice.

During the ensuing years, he promoted 352 karate tournaments, organized more than 250 martial arts shows and conducted more than 1,000 demonstrations. He also operated a karate school for 30 years, guiding more than 200,000 people on the martial path. The following retrospective lists 10 events that were among the most memorable for him and the most pivotal for the martial arts community:

• Earning a black belt in 1962. After attaining the coveted rank, Banks opened his first dojo. Almost from the start, muggers and thugs would stop by on a regular basis to try to goad him into proving his skills. “There were challenges almost every day,” he recalls. “I would show them a death certificate and say: ‘If you can read, sign this and please indicate where to ship your body. We’ll go into the back room and that’ll be it.’ As mean and vicious as many of those people were, no one ever did sign.”

To bolster his skills, Banks expanded beyond the scope of his first art, shotokan karate as taught by John Slocum, and trained with moo duk kwan instructor Richard Chun. He then studied under goju-ryu’s Peter Urban and Gonnohye Yamamoto. Somewhere along the line, he found time to pick up the soft styles, including southern praying mantis kung fu and tai chi chuan. That cross-training cultivated Banks’ well-rounded nature and augmented his desire to promote all the arts in their infinite variety.

• Organizing his first karate demonstration in 1963. The 41st Street Theatre served as the venue for Banks’ first commercial karate demo. For all his hard work, he netted three bologna sandwiches and a couple of cokes. Nevertheless, it was a start, and the experience provided him with some essential advertising and promotion on-the-job training. The same year—and during the following two—he demonstrated karate at the Jerry Lewis Telethon, bringing much-needed national exposure to the Asian arts.

• Launching the Oriental World of Self-Defense in 1966.

The venue was the Town Hall in New York City. “Back in those days, many martial arts were all locked up and done underground,” Banks says. “My way of thinking was, They should be for all people. My show gave people the opportunity to see all those different systems performed by various masters of jujutsu, aikido, kung fu, taekwondo, iaido and so on.” Countless Americans learned that the Asian arts of self-defense included much more than karate and judo.

• Organizing the East Coast vs. West Coast Team Compe- Competition tition in 1967. The Manhattan Center was where Ed Parker’s West Coast Team (Steve Sanders, Jerry Taylor, Joe Lewis and Chuck Norris) faced Banks’ East Coast Team (Tom LaPuppet, JoeHayes, Louis Delgado and Kazuyoshi Tanaka). More than 3,800 spectators turned out, and although the West Coasters emerged victorious at the end of the day, all martial artists benefited from the rising popularity of the sport and the emergence of new fighting icons.

• Holding the First Professional Karate Championship in 1968. Banks organized the event so four men would emerge as world champions. Aside from the fact that it was perhaps the first professionally run martial arts event in which the scorekeepers, timekeepers, officials and competitors were paid, it was important for another reason. “Because karate now had its first professional world champions—in four categories —it gave the media something significant to write about and brought competitors some well-deserved recognition,” Banks says.

For the record, Joe Lewis defeated Vic Moore for the heavyweight title, Mike Stone bested Bob Tiani for the light-heavyweight championship, Chuck Norris beat Louis Delgado for the middleweight title and Skipper Mullins triumphed over Kazuyoshi Tanaka to secure the lightweight championship.

“The thing that sticks out in my mind is the fight between Norris and Delgado,” Banks says. “They were such fierce competitors, and they went at it with such emotion. It was supposed to be semicontact.

At one point, Delgado fouled Norris, almost knocking him out with illegal contact. Norris picked himself up, shook himself off and with unrelenting determination went on to win the fight. I said to myself: ‘That Norris is one tough martial artist, not just physically but mentally, too. With the way he stays focused and in control, there is nothing he won’t be able to accomplish if he sets his mind to it.’ ” • Staging America vs. the Orient in 1968. Another highlight of the Banks hit parade was a show that pitted Norris, Lewis, Stone and LaPuppet against a group of Asian fighters.

The Americans won the contest, taking four of the six bouts and proving to the nation that Westerners could defeat Asians at their own game.

• Beginning his tournament-a-month competition calen- calendar dar in 1969. It ran in the same venue, the Sunnyside Gardens Arena in Queens, once a month for three years. “Those tournaments drew the strongest schools and the toughest martial artists who ever existed, including George Cofield, Joe Hess, Moses Powell, Frank Ruiz, Tom LaPuppet, J.T.

Will, Jerry Piddington, Nick Cerio and Joe Lewis,” Banks says. “I would give my speech at the beginning of each event and tell the competitors that the only way to get the media involved was to have a respectable tournament. If there was a street-fight type environment, they would run out, and sometimes there was too much violence and they did leave. So I had to be visible on the front lines. Whenever anything went wrong or people got out of hand, I was there to get things under control.

“I give a lot of credit to those fighters because they really worked hard,” he continues.

“When they won, they really felt it. If they lost, they would go back to their school and train to come back next month and try to win. The fights were real battles.”

• Touring the USA in 1973. Banks took his Oriental World on the road, touring a reported 25 states before heading for Europe. He introduced hundreds of thousands of spectators to the ways of the warrior. The highlight of it all came four years into the crusade during a trip to Great Britain. After entertaining large crowds in cities like Birmingham, Liverpool and Manchester, he and the rest of the team found themselves scheduled to appear at London’s world-famous Royal Albert Hall. “Chuck Merriman did kata and sword, Ernest Hyman broke ice and performed the nunchaku, and I did my famous ‘skeetshooting’ board-breaking routine (throwing them into the air one at a time and smashing them). The exhibition turned out to be a command performance with the Queen of England looking on.”

• Attracting 19,000 spectators in 1974. Banks’ Oriental World show, which moved to Madison Square Garden in 1972, attracted 4,000 people the first year it was held.

Within two years, that number had risen to almost 20,000.

That meant maximum exposure for the biggest names in the martial arts—from traditional karate stylists like LaPuppet and Merriman to kung fu experts like Kam Yuen (David Carradine’s teacher and fight choreographer for the Kung Fu TV series). Everybody who was anybody participated at one time or another.

• Pulverizing 58 boards in 60 seconds in 1982. On behalf of the martial arts, Banks appeared on a gamut of talk shows—including those hosted by Merv Griffin, Dick Cavatt, Tom Snyder and Johnny Carson. But he says the most memorable one involved his hand turning to mush while breaking 58 boards in 60 seconds during a demo of his skeetshooting routine on the Mike Douglas Show. The power and discipline of the martial arts continued to amaze Americans even after many thought they had seen it all.

End of an Era?

While engaged in his customary session of light weightlifting in 1981, Banks woke up lying on the floor with the weights on top of him. He had blacked out. His doctor told him he’d been burning the candle at both ends and if he didn’t slow down, he would be dead in three to six months.

Insisting that he still had a mission to give the public a better understanding of the martial arts, Banks eased up a bit but refused to quit. He handed the reins of his 600-student New York Karate Academy to his black belts, but the television appearances and martial arts shows continued, albeit at a slower pace.

But Aaron Banks never abandoned the love of his life. And now, some 20 years after the close call, he’s still going, taking the American people on one magical martial arts adventure after another.