Celebrated on the Black Belt Magazine  cover in January 2000, LeBell embodied both the grit of a true martial artist and the showmanship of a Hollywood insider. Truly a larger-than-life figure whose legacy continues to straddle two worlds: the discipline of judo and the spectacle of cinema. Long before MMA was mainstream, LeBell was already blending styles, demonstrating how throws, locks, and submissions could level the playing field. Known as “Judo” Gene LeBell, he was more

As the theme song to the 1978 Burt Reynolds movie Hooper noted, “There ain’t nothing like the life of a Hollywood stuntman.” A lot of martial artists take those words to heart. There’s a seeming army of skilled — and not-so-skilled — practitioners of karate, taekwondo, kung fu, and other arts trying to break into the motion-picture industry by making use of their ability to kick and punch, but how realistic is this? What do martial artists interested in stunt work need to kno

There are people who swear “Judo” Gene LeBell has practiced martial arts for so long that an image of him putting King Tut in an armbar can be found etched in sandstone in an Egyptian tomb. LeBell insists that isn’t true: “No, I’m not that old, but I was a bodyguard for Genghis Khan.”